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  <id>urn:lj:livejournal.com:atom1:artsyanka</id>
  <title>artsyanka</title>
  <subtitle>artsyanka</subtitle>
  <author>
    <name>artsyanka</name>
  </author>
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  <updated>2009-02-07T02:10:26Z</updated>
  <lj:journal userid="9196153" username="artsyanka" type="personal"/>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:34741</id>
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    <title>pro Zweiga.</title>
    <published>2009-02-07T02:10:26Z</published>
    <updated>2009-02-07T02:10:26Z</updated>
    <content type="html">&amp;nbsp;&lt;br /&gt;Stephan Zweig&lt;br /&gt;...&lt;br /&gt;In 1941 he went to Brazil, where in 1942 he and his second wife Lotte &amp;nbsp;committed suicide&lt;span style="color: #060006"&gt;&amp;nbsp;together in Petropolis, &lt;/span&gt;despairing at the future of Europe and its culture. &amp;quot;I think it better to conclude in good time and in erect bearing a life in which intellectual labour meant the purest joy and personal freedom the highest good on Earth&amp;quot;, he wrote...&lt;br /&gt;&lt;br /&gt;wow, .... What a pure mind, what a pure soul he must have had..&amp;nbsp;&amp;nbsp;Do people like him still exist? .. Or did they all have to die one way or the other, .. from&amp;nbsp;not being able to bear the ugliness of the world, or what has become of it. ..?!.&lt;br /&gt;And.. in all three stories that i've just read, something was bothering me.. No,not &amp;quot;too much drama&amp;quot; as I initially worded it, but something else.. - maybe The premise?!.. &amp;nbsp;- the level of intensity of moral suffering that his characters go through.. In each story, their whole life falls into pieces over some mistake....some very human mistake, that they aren't ever able to forgive themselves for. ..&lt;br /&gt;The doctor kills himself over some woman that needed his help, and whom he DIDn't help while he could. .. That woman - allows some witch-doctor to kill her just so that the husband wouldn't find out about her baby from another man... &amp;nbsp;Yet another woman .blames herself &amp;nbsp;for 20+ years over a moment of blind compassion &amp;amp; passion toward gambler. &amp;nbsp;Mind you, she wasn't married, nor has she slept with him or anything. ..&amp;nbsp;&lt;br /&gt;&lt;br /&gt; Yes, that's exactly what surprised me in each of his stories... What a high standard of morality.. Did he himself live by this? On THIS&amp;nbsp;level ? ... Judging by suicide, he did. ...............&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Oh well. &amp;nbsp; &amp;nbsp;...What can i say..?! ,,, &amp;quot;Respect&amp;quot;. &lt;br /&gt;... As to me, i always forgive myself for everything and anything, however ugly or immoral this is. Not that i do too many Ugly-Ly-Immoral deeds, but still.&amp;nbsp;:)&amp;nbsp;&amp;nbsp;,,, .. I stick to belief that we get a chance to &amp;quot;upgrade&amp;quot; ourselves and do better next time... in THIS&amp;nbsp;lifetime. :):):)&lt;br /&gt;Hence, &amp;nbsp;.. sorry Mr. Zweig, but .. i dunno why did you have to kill yourself, and talk your wife into it?!&amp;nbsp;&amp;nbsp;Maybe instead you'd be better off doing something useful, like writing anti-war cute little stories, or fighting.. &amp;nbsp; But that's just me. .. :)&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:34329</id>
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    <title>nice quote..</title>
    <published>2008-11-22T04:46:11Z</published>
    <updated>2008-11-22T04:46:11Z</updated>
    <content type="html">&amp;nbsp;&amp;quot;&lt;span class="Apple-style-span" style="font-family: &amp;#39;Times New Roman CYR&amp;#39;; font-size: 16px; "&gt;Нет заботы беспрерывнее и мучительнее для человека, как, оставшись свободным, сыскать поскорее того, пред кем преклониться.&amp;quot; &amp;nbsp;- dostoevskiy. brothers karamazovs&lt;br /&gt;&lt;br /&gt;very true, isn't it?&lt;br /&gt;&lt;br /&gt;&lt;br type="_moz" /&gt;&lt;/span&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:33884</id>
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    <title>o teplom i svetlom budushem..</title>
    <published>2008-10-24T05:05:55Z</published>
    <updated>2008-10-24T05:05:55Z</updated>
    <content type="html">.. navernoe &amp;quot;Na tom svete&amp;quot; &amp;nbsp;seichas leto. V Avstralii - antipodi, a V Afrike, - reki i gori, shirokie, visokie, i prekrasnie. I daje krokodili i barmalei u nix yarko-zelenie, ili zagorelo-korichnevie. [Respectivly]. A shapochki u nix - &amp;nbsp;psixodelicheski Krasnie, kak muxomori. ...&amp;nbsp;&amp;nbsp;A u nas.... :(:(:(:(:((:(:&lt;br /&gt;&lt;br /&gt;A u nas - promozgliy xolod, po-moemu daje i veter... i tonikie rezinovie podoshvi modnix &lt;strike&gt;shapochek&lt;/strike&gt; tapochek.. &amp;nbsp;rrrrr#$%#$%@#$%@#%$... &amp;nbsp;&amp;nbsp;Net, ya ne sposobna viderjat' takogo izdevatelstva nad&amp;nbsp;&amp;nbsp;slaboi chelovecheskoi plot'yu ..&lt;br /&gt;&lt;br /&gt;&amp;nbsp;..U menya na stole neMalenkaya banka mandarinovogo varen'ya, s utonovshei v ne:m lojkoi, i chashka apelsinovogo chaya. [toje ochen' NeMalenkaya.] &amp;nbsp;Bil bi drugoi sezon - tut bi trudilas' brigada murav'ye:v i mux. No net, &amp;nbsp;vse uleteli na yug. Ostalis' odni loxi... :(&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ya mechtayu o lete, ..&amp;nbsp;&lt;br /&gt;O novoi stenke Goryache-zelenogo, jeltogo ili sinego zveta, .. ili mojet vse;j taki krasnogo, ili oranjegogo - kak solnze..&lt;br /&gt;&lt;br /&gt;O tom chtob uje nakonez-to zakonchilis' vse nevesti.. [V svyazi s globalnim poxolodaniem na eto est' koe-kakie nadejdi.] Mojet oni -kak mamonti?&lt;br /&gt;&lt;br /&gt;-o te:ploi elektricheskoi grelke.&lt;br /&gt;-.. o te:ploi elektricheskoi prostinke.&lt;br /&gt;&lt;br /&gt;.. o teplom elektricheskom odeyale.&lt;br /&gt;..o teplom dushe v teploi vanne.&lt;br /&gt;.. o teploi pechke.&lt;br /&gt;.. o lijnix hand-and-feet-warmers.&lt;br /&gt;..&lt;br /&gt;&lt;br /&gt;o teplom [i svetlom] budushem.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;i navernoe vse:-taki ob Afrike..&amp;nbsp;&lt;br /&gt;ili o lete.&lt;br /&gt;&lt;br /&gt;ili o lete v Afrike..&lt;br /&gt;&lt;br /&gt;..Speaking of seasonal changes, and how it affects photography - mojet bit' stoit ispolzovat' &amp;quot;hot lights' instead of &amp;nbsp;&amp;quot;strobes&amp;quot; for the time being??.,,,. Vot uj bilo-bi nastoyashee sochetanie priyatnogo s poleznim.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;:)&lt;br /&gt;chto-to mne kak-to ochen ne tak. .. :(:(:(&lt;br /&gt;[ne teplo, ne uyutno, ne xochetsya rabotat', i neChego est' [krome vishe-upomyanutogo Mandarinovogo varen'ya.:(]]&lt;br /&gt;&lt;br /&gt;Ai...&amp;nbsp;&lt;br /&gt;yay.&lt;br /&gt;yay.&lt;br /&gt;:O(&lt;br /&gt;chto-je delat' , dorogaya redakziya?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;:)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:33702</id>
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    <title>scott fitzgerald</title>
    <published>2008-10-22T04:15:47Z</published>
    <updated>2008-10-22T04:15:47Z</updated>
    <content type="html">&amp;nbsp;In the absence of humans to talk to in my kitchen, &amp;amp; in the presence of a well-developed case of phono-phobia .. one [me] is to turn to lj.&amp;nbsp;&lt;br /&gt;what gives!?&lt;br /&gt;&lt;br /&gt;.. so, anyway,.. As i am &lt;strike&gt;reading&lt;/strike&gt;, listening to Scott Fitzgerald's short stories, ..stories filled with Yale graduates hanging out in NewYork in their twenties, flirting, dating, making careers, .. socializing, little by little growing tired of 'all of the above' &amp;amp; dissilusioned with their lives, marrying the wrong people for the wrong reasons, killing themselves. .. [not always, .. only, maybe , every second or third story.. :)] . .. , Well, it all sounds very familiar. &amp;nbsp;..:)&lt;br /&gt;I find it interesting that most of these stories are dated 1922/1923, well off before the Great Depression had come and hit them over the head, .. So ..&lt;br /&gt;As a rule, by 25, ..26, 27/28 the most, - all those &amp;quot;kids&amp;quot; in all those stories seem turning irreversibly old, pragmatic, cinyc, too old for love, too old for.. well, anything. .. &amp;nbsp;I suppose we are a &amp;quot;younger&amp;quot; or more immature generation. ..Everything takes us 5 -10 years more. .. Hmm....&lt;br /&gt;:)&lt;br /&gt;On a different note, it's curious to see that we are by far not the first generation that is having just WAY-TOO-Much fun in NY. .. &amp;nbsp;or .. are we still &amp;nbsp;having too much fun?.. or, .. Shall i say that in my 25+5years adjustment for our &amp;quot;era' , i am just as tired of all the meaningless social encounters as those others back in 1922..? ..&amp;nbsp;&lt;br /&gt;Maybe indeed some things don't change.. &lt;br /&gt;--------------&lt;br /&gt;The end. {not of a thought, but of a need to share this thought with a virtual nowhereness..}&lt;br /&gt;&amp;nbsp;--------------&lt;br /&gt;Disclosure.: This was not to say that i am to kill myself anytime soon. :)&amp;nbsp;.If i were a Yale graduate, &amp;nbsp;maybe then. .:)&lt;br /&gt;.. But a nice schooling is not a part of biography. .. :) &amp;nbsp;... Maybe then i am spared of the average destiny &amp;nbsp;of Scott Fitzgerald's characters?.. Maybe,, or maybe not., :)&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br type="_moz" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:33375</id>
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    <title>theater season is upon us</title>
    <published>2008-09-19T15:43:42Z</published>
    <updated>2008-09-19T15:43:42Z</updated>
    <content type="html">&amp;nbsp;Soo..&amp;nbsp;&lt;br /&gt;Theater season is unveiling, and i gotta keep track on the absolute must-see masterpieces [... i mean, i BET on those to be masterpieces]&lt;br /&gt;..&lt;br /&gt;1)Chocolate factory theater -&amp;quot;1965UU&amp;quot;. Now That's a good name for a play. &lt;br /&gt;Mac&amp;nbsp;Wellmand and Paul Lazar - my favorite people in the world. Thursdays are free if i manage to pretend to be a Queens resident..&lt;br /&gt;&lt;br /&gt;2) Peter Brook is coming to town &amp;nbsp;with &amp;quot;The great Inquisitor' in collaboration with Theatre des Bouffes du Nord's &amp;nbsp;-from Oct 22-to Nov 23 in NYTW&lt;br /&gt;Sunday performances are $20. &amp;nbsp;!!!!!!!!!!!!!!!!!!!&lt;br /&gt;&lt;br /&gt;&lt;p&gt;3)Mary Zimmerman is doing another opera in the MET this season - .. gotta check which one, +&amp;nbsp;&lt;br /&gt;4) just heard about the upcoming 'Arabian nights&amp;quot;&amp;nbsp;run dirrected by her in &amp;nbsp;...Berkley repertory?!&amp;nbsp;Now where the hell is that? -Oh. that's near SF. .. accessible by BART. .. maybe good time to go back to SF..&lt;br /&gt;... &amp;nbsp; Nov 14-Jan 4.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;5)&lt;span class="Apple-style-span" style="color: rgb(0, 38, 127); font-size: 21px; font-weight: bold; line-height: 22px; "&gt;THE FIRST BREEZE&amp;nbsp;&lt;/span&gt;OF SUMMER&lt;/p&gt;in Signature theater - extended again till October 19. a super-must-see.&lt;br /&gt;followed by &amp;quot;Home&amp;quot; and &amp;quot;Zooman and the sign&amp;quot;.&lt;br /&gt;&lt;br /&gt;6)Wow. ===&amp;gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: 13px; line-height: 16px; "&gt;&amp;nbsp;Revelation Readings of the Red Bull Theatre, presenting Monday evening readings of largely&amp;nbsp;the Revelation Readings of the Red Bull Theatre, presenting Monday evening readings of largely neglected great plays with marvelous casts.&amp;nbsp;&amp;nbsp; Their 2008-2009 reading series was recently announced.&amp;nbsp; Tickets are $25 each, but you can buy various packages from three to eight, at various savings&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;---&amp;nbsp;&lt;br /&gt;more to come.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Now that's EXCITING!!!!!!!!!!!!!!!!!!!!!!!!!!!!</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:32736</id>
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    <title>some photo-editing routines to think about..</title>
    <published>2008-03-14T19:48:42Z</published>
    <updated>2008-03-14T19:48:42Z</updated>
    <content type="html">&amp;nbsp;some things to try-out later to streamline my photo-processing routine:&lt;br /&gt;&lt;br /&gt;1)Before each event, synchronize 2 camera-bodies&amp;nbsp;[+assistant's] to have same date a time to a second!&lt;br /&gt;2)If possible, roll 1st camera numbers to&amp;nbsp; 0000. second - [is it possible - to 5,000.]&lt;br /&gt;This should take care of not having same img-names on diff cameras for the day.&lt;br /&gt;&lt;br /&gt;3)Research if&amp;nbsp; i can use some software [a convenient non-fancy&amp;nbsp;one!]&amp;nbsp;to automatically rotate all vertical&amp;nbsp;pictures.&lt;br /&gt;4)then, delete all tooo underexposed or tooo overexposed based on thumbnails look in preview.&lt;br /&gt;&lt;br /&gt;next, ... upload? or burn originals disks?&lt;br /&gt;or - if RAW - import to Arpeture.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Alternatively: - custom-made little program to extract images that i need and put them in separate directory.</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:32362</id>
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    <title>another nice quote.. :)</title>
    <published>2008-01-23T20:52:53Z</published>
    <updated>2008-01-23T20:52:53Z</updated>
    <content type="html">&amp;nbsp; "The mathematical rules of the universe are visible to men in&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; the form of beauty." -- John Michel</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:32131</id>
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    <title>Haaa!!! :) on photo-worriors and photo wars</title>
    <published>2008-01-03T21:01:25Z</published>
    <updated>2008-01-03T21:01:25Z</updated>
    <content type="html">&lt;table cellspacing="0" cellpadding="6" width="100%" align="center" border="0" class="tborder"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td class="alt1" style="BORDER-RIGHT: #d1d1e1 1px solid"&gt;&lt;div&gt;I'd recommend getting another flash if you only have one. The tabs on those flashes are really delicate. I had one taken out by a waitress last month. They're easily replaceable if you have the spare part but it's not something you want to be doing at a wedding. As for what I take with me on a long day of shooting...&lt;br /&gt;&lt;br /&gt;1DMkII&lt;br /&gt;5D&lt;br /&gt;20D&lt;br /&gt;24-70 2.8L&lt;br /&gt;24-105 f4L IS&lt;br /&gt;70-200 2.8L IS&lt;br /&gt;16-35 2.8L MkII&lt;br /&gt;Sigma 15-30&lt;br /&gt;85 1.8&lt;br /&gt;50 1.4&lt;br /&gt;26mm extension tube (ring shots)&lt;br /&gt;2 550EXes&lt;br /&gt;1 580EX&lt;br /&gt;STE2&lt;br /&gt;about 35 gigs of CF cards&lt;br /&gt;Pec Pads&lt;br /&gt;Eclipse cleaning solution&lt;br /&gt;Sensor rocket blowy thingy&lt;br /&gt;CR2032 batteries (replacement for the cameras battery backup if that goes)&lt;br /&gt;Plenty O other batteries&lt;br /&gt;Swiss Army knife&lt;br /&gt;Vitamin I&lt;br /&gt;Sudafed&lt;br /&gt;Eyedrops&lt;br /&gt;(I actually have a fully stocked med kit in the car... it's my kayaking med kit but I just take it out of the boat and leave it in the car for weddings)&lt;br /&gt;Earplugs&lt;br /&gt;Remote shutter release&lt;br /&gt;Various flash modifiers&lt;br /&gt;SPECK remover&lt;br /&gt;business cards&lt;br /&gt;GPS&lt;br /&gt;Maps&lt;br /&gt;Pelican 1514 rolling case with locks&lt;br /&gt;A bicycle lock (lock the case to something solid and then lock the cover closed for when I can't babysit the gear).&lt;br /&gt;Liability insurance information.&lt;br /&gt;36" umbrella&lt;br /&gt;cold shoe stand mount&lt;br /&gt;Light stand&lt;br /&gt;Quantum Turbo&lt;br /&gt;Quantum Turbo SC&lt;br /&gt;Spare cables for the turbos&lt;br /&gt;Grey card (although I haven't touched it in years... I still have it)&lt;br /&gt;water&lt;br /&gt;small step ladder&lt;br /&gt;Tripod&lt;br /&gt;monopod&lt;br /&gt;&lt;br /&gt;Some of this stuff is back up gear and stays in the car and some of it is just in case (like the umbrellas and light stand and tripod... I rarely use that stuff).&lt;br /&gt;&lt;br /&gt;Cheers, Joe Ciarcia&lt;br /&gt;---&lt;br /&gt;&lt;br /&gt;HOHOHO. I agree, although not sure what Vitamin I is.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="alt2" style="BORDER-RIGHT: #d1d1e1 1px solid; BORDER-TOP: #d1d1e1 0px solid; BORDER-LEFT: #d1d1e1 1px solid; BORDER-BOTTOM: #d1d1e1 1px solid"&gt;&lt;img class="inlineimg" title="Joe Ciarcia is offline" alt="Joe Ciarcia is offline" border="0" src="http://www.digitalweddingforum.com/forum/images/statusicon/user_offline.gif" /&gt; &lt;a rel="nofollow" href="http://www.digitalweddingforum.com/forum/report.php?p=2982545"&gt;&lt;img class="inlineimg" title="Report Post" alt="Report Post" border="0" src="http://www.digitalweddingforum.com/forum/images/buttons/report.gif" /&gt;&lt;/a&gt; &amp;nbsp; &lt;/td&gt;&lt;td class="alt1" style="BORDER-RIGHT: #d1d1e1 1px solid; BORDER-TOP: #d1d1e1 0px solid; BORDER-LEFT: #d1d1e1 0px solid; BORDER-BOTTOM: #d1d1e1 1px solid" align="right"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&amp;nbsp;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:31946</id>
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    <title>another quote..</title>
    <published>2007-12-03T20:11:31Z</published>
    <updated>2007-12-03T20:11:31Z</updated>
    <content type="html">&amp;nbsp;&lt;font class="sqq"&gt;“If you don't like someone, the way he holds his spoon will make you furious; if you do like him, he can turn his plate over in your lap and you won't mind.”&lt;font class="sqq"&gt;“If you don't like someone, the way he holds his spoon will make you furious; if you do like him, he can turn his plate over in your lap and you won't mind.”&lt;br /&gt;~Irving Becker.&lt;br /&gt;&lt;br /&gt;It is SOO true. me like... :)&lt;br /&gt;&lt;/font&gt;&lt;/font&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:31585</id>
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    <title>artsyanka @ 2007-11-21T12:49:00</title>
    <published>2007-11-21T17:50:29Z</published>
    <updated>2007-11-21T17:50:29Z</updated>
    <content type="html">..so...&lt;br /&gt;&lt;br /&gt;in the view of things,&amp;nbsp; i don't see the point of taking pictures.. not until i define for my self where photography.. and art, too, fit in the picture.&lt;br /&gt;What's important is to learn.. to read.. to listen.... to think.. to feel ..to see. ...to be open..&lt;br /&gt;Reflecting on it via photography or any other medium makes sense only once there's some order in mind.. or, rather , a strong notion that "it" needs to be reflected upon, transformed into an object with a life and energy of it's own .&lt;br /&gt;..otherwise, ....what gives?!..&lt;br /&gt;&lt;br /&gt;How does one abandon the idea of need for ..space limitation, ...composition, contrast, value... ? ..movement..dinamycs ..?&lt;br /&gt;how does one abandon a notion that beauty reveals itself through a combination of those concepts above? ..&lt;br /&gt;that's it's irrelevant? ...the only relevant thing&amp;nbsp; ,then, is energy of it. ... but ...how do you Render it? ..&lt;br /&gt;&lt;br /&gt;..oh.. Basqiat.... wasn't he a part of "row energy" art movement or something?&lt;br /&gt;..gotta see.&lt;br /&gt;..not sure if that's what they meant though. &lt;br /&gt;..&lt;img border="2" alt="" src="http://www.designboom.com/history/basquiat/10.jpg" /&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:31095</id>
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    <title>..on Sound..</title>
    <published>2007-10-26T21:48:57Z</published>
    <updated>2007-10-26T21:48:57Z</updated>
    <content type="html">&lt;br /&gt;&lt;strong&gt;&lt;font color="#fffccc" size="2"&gt;&lt;font color="#000000"&gt;&lt;em&gt;The key to the mystery of a great artist is that for reasons unknown, he will give away his&lt;br /&gt;energies and his life just to make sure that one note follows another... and leaves us with&lt;br /&gt;the feeling that something is right in the world. - Leonard Bernstein&lt;/em&gt;&lt;/font&gt; &lt;/font&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. Ludwig Van Beethoven - 1770-1827 &lt;br /&gt;2. Wolfgang Amadeus Mozart - 1756-1791 &lt;br /&gt;3. Johann Sebastian Bach - 1685-1750 &lt;br /&gt;4. Richard Wagner - 1813-1883 &lt;br /&gt;5. Joseph Haydn - 1732-1809 &lt;br /&gt;6. Johannes Brahms - 1833-1897 &lt;br /&gt;7. Franz Schubert - 1797-1828 &lt;br /&gt;8. Peter Ilyich Tchaikovsky - 1840-1893 &lt;br /&gt;9. George Frideric Handel - 1685-1759 &lt;br /&gt;10. Igor Stravinsky - 1882-1971 &lt;br /&gt;11. Robert Schumann - 1810-1856 &lt;br /&gt;12. Frederic Chopin - 1810-1849 &lt;br /&gt;13. Felix Mendelssohn - 1809-1847 &lt;br /&gt;14. Claude Debussy - 1862-1918 &lt;br /&gt;15. Franz Liszt - 1811-1886 &lt;br /&gt;16. Antonin Dvorak - 1841-1904 &lt;br /&gt;17. Giuseppe Verdi - 1813-1901 &lt;br /&gt;18. Gustav Mahler - 1860-1911 &lt;br /&gt;19. Hector Berlioz - 1803-1869 &lt;br /&gt;20. Antonio Vivaldi - 1678-1741 &lt;br /&gt;21. Richard Strauss - 1864-1949 &lt;br /&gt;22. Serge Prokofiev - 1891-1953 &lt;br /&gt;23. Dmitri Shostakovich - 1906-1975 &lt;br /&gt;24. Béla Bartók - 1881-1945 &lt;br /&gt;25. Anton Bruckner - 1824-1896 &lt;br /&gt;26. Giovanni Pierluigi da Palestrina - 1525-1594 &lt;br /&gt;27. Claudio Monteverdi - 1567-1643 &lt;br /&gt;28. Jean Sibelius - 1865-1957 &lt;br /&gt;29. Maurice Ravel - 1875-1937 &lt;br /&gt;30. Ralph Vaughan Williams - 1872-1958 &lt;br /&gt;31. Modest Mussorgsky - 1839-1881 &lt;br /&gt;32. Giacomo Puccini - 1858-1924 &lt;br /&gt;33. Henry Purcell - 1659-1695 &lt;br /&gt;34. Gioacchino Rossini - 1792-1868 &lt;br /&gt;35. Edward Elgar - 1857-1934 &lt;br /&gt;36. Sergei Rachmaninoff - 1873-1943 &lt;br /&gt;37. Camille Saint-Saëns - 1835-1921 &lt;br /&gt;38. Josquin Des Prez - c.1440-1521 &lt;br /&gt;39. Nikolai Rimsky-Korsakov - 1844-1908 &lt;br /&gt;40. Carl Maria von Weber - 1786-1826 &lt;br /&gt;41. Jean-Philippe Rameau - 1683-1764 &lt;br /&gt;42. Jean-Baptiste Lully - 1632-1687 &lt;br /&gt;43. Gabriel Fauré - 1845-1924 &lt;br /&gt;44. Edvard Grieg - 1843-1907 &lt;br /&gt;45. Christoph Willibald Gluck - 1714-1787 &lt;br /&gt;46. Arnold Schoenberg - 1874-1951 &lt;br /&gt;47. Charles Ives - 1874-1954 &lt;br /&gt;48. Paul Hindemith - 1895-1963 &lt;br /&gt;49. Olivier Messiaen - 1908-1992 &lt;br /&gt;50. Aaron Copland - 1900-1990&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;font size="1"&gt;[Composers are ranked for their innovation and influence, &lt;br /&gt;as well as their aesthetic importance and historical significance&lt;font color="#000000"&gt;]&lt;/font&gt;&lt;/font&gt;&lt;/em&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:30854</id>
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    <title>Yogi-tea - ..message of the day</title>
    <published>2007-10-25T20:30:54Z</published>
    <updated>2007-10-25T20:30:54Z</updated>
    <content type="html">To be calm is the highest achievement of the self.&lt;br /&gt;&lt;br /&gt;...Done! &lt;br /&gt;:)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Glaza..&lt;br /&gt;&lt;strike&gt;i Uxi.&lt;/strike&gt;. .Ushi..&lt;br /&gt;&amp;lt;--&amp;gt;&lt;br /&gt;miraculous Stuff..&lt;br /&gt;--------&lt;br /&gt;&lt;br /&gt;i eshe: pro "contradictions" ...&lt;br /&gt;Global contradictions.. are a result of&amp;nbsp; Not-understranding ..Of.the. world. That's it. ... Contradictions - ...ix ..NETU.&lt;br /&gt;Vse: stroino , prekrasno i sovershenno, .. i rabotaet v sootvetstvii so&amp;nbsp; "specifications".. &lt;br /&gt;&lt;br /&gt;A kogda slepoi kote:nok s razbega stalkivaetsya nosom so stenoi.. on toje, navernoe dumaet.."WHat the fuck? !"&lt;br /&gt;..nu dak - Smotret' je nago kuda bejish.. &lt;br /&gt;..&lt;br /&gt;a esli ne vidno.&lt;br /&gt;?&lt;br /&gt;:(&lt;br /&gt;--------&lt;br /&gt;&lt;br /&gt;tolko a gde "specifications". ...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;and so it goes..</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:30208</id>
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    <title>on "Truth"</title>
    <published>2007-10-24T17:40:13Z</published>
    <updated>2007-10-24T17:40:42Z</updated>
    <content type="html">"Truth appears differently in different lands and ages according to the living materials out of which its symbols are born.”&lt;br /&gt;~The Philosophies of India&lt;br /&gt;&lt;br /&gt;like it.. &lt;br /&gt;&lt;br /&gt;:)</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:30023</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/30023.html"/>
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    <title>likbez 101 - continued.. :Transformation of energy:</title>
    <published>2007-10-18T05:25:02Z</published>
    <updated>2007-10-18T05:25:02Z</updated>
    <content type="html">One form of energy can often be readily transformed into another with the help of a device- for instance, a battery, from chemical energy to electrical energy; a dam: gravitational potential energy to kinetic energy of moving water (and the blades of a turbine) and ultimately to electric energy through an electrical generator. Similarly, in the case of a chemical explosion, chemical potential energy is transformed to kinetic energy and thermal energy in a very short time. Yet another example is that of a pendulum. At its highest points the kinetic energy is zero and the gravitational potential energy is at maximum. At its lowest point the kinetic energy is at maximum and is equal to the decrease of potential energy. If one (unrealistically) assumes that there is no friction, the conversion of energy between these processes is perfect, and the pendulum will continue swinging forever.&lt;br /&gt;Energy can be converted into matter and vice versa. The mass-energy equivalence formula E = mc², derived independently by Albert Einstein and Henri Poincaré,[citation needed] quantifies the relationship between mass and rest energy. Since c2 is extremely large relative to ordinary human scales, the conversion of mass to other forms of energy can liberate tremendous amounts of energy, as can be seen in nuclear reactors and nuclear weapons. Conversely, the mass equivalent of a unit of energy is minuscule, which is why a loss of energy from most systems is difficult to measure by weight, unless the energy loss is very large. Examples of energy transformation into matter (particles) are found in high energy nuclear physics.&lt;br /&gt;In nature, transformations of energy can be fundamentally classed into two kinds: those that are thermodynamically reversible, and those that are thermodynamically irreversible. A reversible process in thermodynamics is one in which no energy is dissipated into empty quantum states available in a volume, from which it cannot be recovered into more concentrated forms (fewer quantum states), without degradation of even more energy. A reversible process is one in which this sort of dissipation does not happen. For example, conversion of energy from one type of potential field to another, is reversible, as in the pendulum system described above. In processes where heat is generated, however, quantum states of lower energy, present as possible exitations in fields between atoms, act as a reservoir for part of the energy, from which it cannot be recovered, in order to be converted with 100% efficiency into other forms of energy. In this case, the energy must partly stay as heat, and cannot be completely recovered as usable energy, except at the price of an increase in some other kind of heat-like increase in disorder in quantum states, in the universe (such as an expansion of matter, or a randomization in a crystal).&lt;br /&gt;&lt;br /&gt;As the universe evolves in time, more and more of its energy becomes trapped in irreversible states (i.e., as heat or other kinds of increases in disorder). This has been referred to as the inevitable thermodynamic heat death of the universe. In this heat death the energy of the universe does not change, but the fraction of energy which is available to do work, or be transformed to other usable forms of energy, grows less and less.&lt;br /&gt;-------&lt;br /&gt;&lt;br /&gt;ai.xot'i ne v temu a kakaya krasivaya kartinka:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/a/ab/Table_of_Mechanicks%2C_Cyclopaedia%2C_Volume_2.png" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:29716</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/29716.html"/>
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    <title>Further back:</title>
    <published>2007-10-17T16:48:35Z</published>
    <updated>2007-10-17T20:34:39Z</updated>
    <content type="html">Galileo Galilei [1564-1642]:&lt;br /&gt;&lt;br /&gt;His achievements include the first systematic studies of uniformly accelerated motion, improvements to the telescope and consequent astronomical observations, and support for Copernicanism. Galileo's empirical work was a significant break from the abstract Aristotelian approach of his time.&lt;br /&gt;The motion of uniformly accelerated objects, taught in nearly all high school and introductory college physics courses, was studied by Galileo as the subject of kinematics. His contributions to observational astronomy include the discovery of the four largest satellites of Jupiter, named the Galilean moons in his honour, and the observation and analysis of sunspots. Galileo also worked in applied science and technology, improving compass design.&lt;br /&gt;[Soo...:&lt;br /&gt;In astronomy, the geocentric model of the universe is the disproven theory that the Earth is at the center of the universe and the Sun and other objects go around it. ---&amp;gt; heliocentric is - ...around sun, Duh@!&lt;br /&gt;]&lt;br /&gt;--&lt;br /&gt;Nicolaus Copernicus[1473-1543]:&lt;br /&gt;was the first European astronomer to formulate a scientifically based heliocentric cosmology, and displaced the Earth from its center. His epochal book, De revolutionibus orbium coelestium (On the Revolutions of the Celestial Spheres), is often regarded as the starting point of modern astronomy, as well as a defining epiphany in the history of science.&lt;br /&gt;The major parts of Copernican theory are:&lt;br /&gt;&lt;br /&gt;1.Heavenly motions are uniform, eternal, and circular or compounded of several circles (epicycles). &lt;br /&gt;2.The center of the universe is near the Sun. &lt;br /&gt;Around the Sun, in order, are Mercury, Venus, Earth and Moon, Mars, Jupiter, Saturn, and the fixed stars. &lt;br /&gt;3.The Earth has three motions: daily rotation, annual revolution, and annual tilting of its axis. &lt;br /&gt;4.Retrograde motion of the planets is explained by the Earth's motion. &lt;br /&gt;5.The distance from the Earth to the sun is small compared to the distance to the stars. &lt;br /&gt;&lt;br /&gt;The work itself was then divided into six books:&lt;br /&gt;&lt;br /&gt;1.General vision of the heliocentric theory, and a summarized exposition of his idea of the World &lt;br /&gt;2.Mainly theoretical, presents the principles of spherical astronomy and a list of stars (as a basis for the arguments developed in the subsequent books) &lt;br /&gt;3.Mainly dedicated to the apparent motions of the Sun and to related phenomena &lt;br /&gt;4.Description of the Moon and its orbital motions &lt;br /&gt;5.Concrete exposition of the new system &lt;br /&gt;6.Concrete exposition of the new system&lt;br /&gt;&lt;br /&gt;---&lt;br /&gt;Early traces of a heliocentric model are found in several anonymous Vedic Sanskrit texts composed in ancient India before the 7th century BCE. Additionally, the Indian astronomer and mathematician Aryabhata[(b. 476 AD – 550, Bihar???!what's that?!)] anticipated elements of Copernicus' work by over a thousand years.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;oook.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:29545</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/29545.html"/>
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    <title>artsyanka @ 2007-10-17T11:57:00</title>
    <published>2007-10-17T15:59:24Z</published>
    <updated>2007-10-17T16:42:51Z</updated>
    <content type="html">Soo..&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;&lt;img src="http://upload.wikimedia.org/math/2/a/1/2a102cbc76fff187a11e65966997b729.png" /&gt;&lt;br /&gt;&lt;br /&gt;E = the energy equivalent to the mass (in joules) &lt;br /&gt;m = mass (in kilograms) &lt;br /&gt;c = the speed of light in a vacuum (celeritas) (in metres per second). &lt;br /&gt;&lt;br /&gt;Huh..!&lt;br /&gt;it IS fascinating, really!&lt;br /&gt;..gotta do some studying while at work to grasp it 'vo vsei svoei krase'... :)&lt;br /&gt;--------------------------------&lt;br /&gt;Soo..:&lt;br /&gt;Albert Einstein [1879-1955]&lt;br /&gt;The concept of mass–energy equivalence unites the concepts of conservation of mass and conservation of energy, allowing rest mass to be converted to forms of active energy (such as kinetic energy, heat, or light) while still retaining mass. Conversely, active energy in the form of kinetic energy or radiation can be converted to particles which have rest mass. The total amount of mass/energy in a closed system (as seen by a single observer) remains constant because energy cannot be created or destroyed and, in all of its forms, trapped energy exhibits mass. In relativity, mass and energy are two forms of the same thing, and neither one appears without the other.&lt;br /&gt;-----------&lt;br /&gt;Sir Isaac Newton [1643-1727]&lt;br /&gt;&lt;br /&gt;Newton's laws of motion:&lt;br /&gt;&lt;br /&gt;1.An object in motion will remain in motion unless acted upon by a net force. &lt;br /&gt;2.Force equals mass multiplied by acceleration. &lt;br /&gt;3.To every action there is an equal and opposite reaction. &lt;br /&gt;&lt;br /&gt;Hmm...&lt;br /&gt;-------&lt;br /&gt;Johannes Kepler [1571-1630]&lt;br /&gt;&lt;br /&gt;Kepler's laws of planetary motion are three mathematical laws that describe the motion of planets in the Solar System:&lt;br /&gt;&lt;br /&gt;1.The orbit of every planet is an ellipse with the sun at one of the foci. An ellipse is characterized by its two focal points; see illustration. Thus, Kepler rejected the ancient Aristotelean and Ptolemaic and Copernican belief in circular motion. &lt;br /&gt;&lt;br /&gt;2.A line joining a planet and the sun sweeps out equal areas during equal intervals of time as the planet travels along its orbit. This means that the planet travels faster while close to the sun and slows down when it is farther from the sun. With his law, Kepler destroyed the Aristotelean astronomical theory that planets have uniform velocity. &lt;br /&gt;&lt;br /&gt;3.The squares of the orbital periods of planets are directly proportional to the cubes of the semi-major axes (the "half-length" of the ellipse) of their orbits. This means not only that larger orbits have longer periods, but also that the speed of a planet in a larger orbit is lower than in a smaller orbit. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;---&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.redorbit.com/modules/reflib/article_images/8_d7f84ec36dbfda23aff1a01e00a4b5e6.jpg" /&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:29381</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/29381.html"/>
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    <title>must - see</title>
    <published>2007-10-09T16:48:32Z</published>
    <updated>2007-10-09T17:07:33Z</updated>
    <content type="html">Must-see shows this fall/spring season:&lt;br /&gt;&lt;br /&gt;Signature theater: playwright in residency - Charles Mee&lt;br /&gt;Iphigenia 2.0&lt;br /&gt;Queens Boulevard&lt;br /&gt;Paradise park&lt;br /&gt;&lt;br /&gt;Also , his play - Hotel Casiopeia in BAM staged by SITI and Anne Bogart! &lt;br /&gt;..&lt;br /&gt;&lt;br /&gt;Edward's Albee - 4 plays this season in NY!!!!&lt;br /&gt;Signature theater - &amp;gt; Occupant -May 6 -June 29th&lt;br /&gt;&lt;br /&gt;**** Gotta get tickets in the first day so as to get it for talk-back series date.&lt;br /&gt;------------------&lt;br /&gt;Another 3 Edward Albees plays:&lt;br /&gt;&lt;br /&gt;PETER AND JERRY&lt;br /&gt;&lt;br /&gt;    * Second Stage Theatre&lt;br /&gt;    * First Preview: October 19, 2007&lt;br /&gt;    * Opening: November 11, 2007&lt;br /&gt;    * Director: Pam MacKinnon&lt;br /&gt;    * Cast: Johanna Day, Bill Pullman, Dallas Roberts&lt;br /&gt;    * The New York premiere of Edward Albee's play adds a first act   &lt;br /&gt;      Homelife to his 1958 play The Zoo Story.&lt;br /&gt;-------------&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;----&lt;br /&gt;Strana doljna znat' svoix geroev... :):):)&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://graphics8.nytimes.com/images/2007/09/04/theater/Bran600.jpg" /&gt;&lt;br /&gt;Horton Foote, Edward Albee and Tom Stoppard&lt;br /&gt;&lt;br /&gt;---&lt;br /&gt;“The American Dream”/“The Sandbox”  - March 11 thru April 19, 2008 -student ticket $20&lt;br /&gt;at the Cherry Lane Theater&lt;br /&gt;--&lt;br /&gt;..And the brand-new “Me, Myself and I” opens in January at the McCarter Theater in Princeton, N.J. This one is about identical twins, both named Otto, a fitting subject for a writer who has always probed the porousness of the boundaries of self.&lt;br /&gt;---------------&lt;br /&gt;Horton Foote&lt;br /&gt;"Deviding the estate" at Primary stages theater&lt;br /&gt;-----&lt;br /&gt;"View from 151st st" by LAB in Public theater&lt;br /&gt;---&lt;br /&gt;&lt;br /&gt;MET Opera...one directed my Mary Zimmerman....Which one is it?..&lt;br /&gt;---&lt;br /&gt;"Osage County" - Steppenwolf theater from Chicago on tour in NY&lt;br /&gt;---&lt;br /&gt;...&lt;br /&gt;...&lt;br /&gt;...</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:28949</id>
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    <title>artsyanka @ 2007-10-09T12:22:00</title>
    <published>2007-10-09T16:23:40Z</published>
    <updated>2007-10-09T16:23:40Z</updated>
    <content type="html">our perception of the world is Soo underExposed.. Gotta be -2. ..or -3. ...or -5??? ..yes, it gotta be -5! ,,,in which case we are in the darkness ...much like the blind kittens.. :)&lt;br /&gt;hmm...maybe afterall it's just -4. ...and a Half.</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:28802</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/28802.html"/>
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    <title>pro tochki zreniya i divan.</title>
    <published>2007-10-07T03:20:07Z</published>
    <updated>2007-10-07T12:54:11Z</updated>
    <content type="html">Koroche vot tak vot . dojili. Saturday night 11pm, - vse prilichnie lyudi gde-to na "parties", a ya siju na divane, i mne ..Taaak xorosho, chto nikuda sovsem sovsem ne xochetsya. ...nu ili, esli pravdivei', - to - ne sdvinutsya. &lt;br /&gt;Uje stolko dvigalas', chto - vse: -this is my final destination, and i'm ain't no getting off .&lt;br /&gt;&lt;br /&gt;Daje esli na divane, i daje v xolodilnike, po sosedstvu, nu soovsem nechego est'. ..i esli daje Delat' - toje nechego..&lt;br /&gt;a spat' ne xochetsya, ..ot toi je samoi ustalosti, vse: ravno nikuda ne slezu. Luchshe budu pisat'. Pro zvetochki. ...ili pro kochki...ili pro tochki.&lt;br /&gt;...VOt  Tochki... s nimi je vse: ochen' prosto. Tochka A [x,y,z]...tochka B [...,...,...]. Vot oni sebe v prostranstve letayut i nikomu ne meshayut. A s tochkoi zreniya - slojnee. ..Kogda ona menyaetsya po pyat' raz na dnyu, i ee: koordinati menyayutsya tak silno chto i ne dogonish ee:... [eto, v smisle, esli kto reshit dognat' :)]. .. Dak eto vrode kak-to daje neudobno...tipa  - moralno-neustoichivo. Pomenyat' v korne svoyu tochku-zreniya eto pryamo...nu pryamo.... nu pochti sovsem daje neprilichno. .. No sdrugoi storoni, na to j ona i tochka. i..Zreniya. &lt;br /&gt;,,..to est' ona - v glazax, ...a glaza - v golove, .. a golova - tam je gdeushi, lapi, i xvost. ...to est' - i tam, i syam... A sovsem ne kak "Korni". &lt;br /&gt;Mojet konechno "z" osobo i ne menyaetsya, osobenno esli krilya - malenkie, a vot "x" and "y".. - tolko Tak! &lt;br /&gt;&lt;br /&gt;Tochnee net. Vse: sovsem ne tak. ...Tochki - tam i ostayutsya gde bili. A mi, ..a ya , ..a ono.. , ono - tam - pozrit, zdes  -pozrit... i vot tam eshe: ..... tam prosto Poglazeet! :)&lt;br /&gt;..i eto xorosho chto ono- s nogami i xvostom, a ne s kornyami. i chto ONO .. mojet oboiti vse tochki i po-vsyakomu po-raznomu posmotret' na to-je samiy mir...nu ili daje ne na mir, a na siniy moi divan. Na nego toje mojno otovsyudu i po-vsyakomu smotret'...&lt;br /&gt;]..&lt;br /&gt;But..&lt;br /&gt;Poprigaesh tak "zreniem" ot tochki, do tochki. ..Po-prigaesh-poprigaesh, i ustanesh. ..ili , chego eshe, verne:shsya na isxodnuyu pozitsiyu... i sluchaino reshish chto ona  - samaya-samaya. Vsem tochkam - tochka.&lt;br /&gt;I kajetsya - vot ona - Istina. ....A eto prosto malenkoe de-ja-vu....  De-ja-vu s tochkami - opasnaya shtuka. Kajetsya chto .........&lt;br /&gt;hmmm....&lt;br /&gt;a na divane to eshe i Spat' mojno?!?!??!?!!!..........&lt;br /&gt;aaaaaa..........&lt;br /&gt;mmmmmmmmmmm............</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:28389</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/28389.html"/>
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    <title>Shawn</title>
    <published>2007-09-20T21:55:30Z</published>
    <updated>2007-09-20T21:57:36Z</updated>
    <content type="html">Ok. So he might be crazy! .. So what! At least, out of all the pseudo-smart men, he's the only one who, i think, is able to grasp things and ideas on the same ..Level. &lt;br /&gt;I gotta start quoting him or something..&lt;br /&gt;..yesterday: In response to my roommate Anya #3, sayin' something about..intense colors, ..:) "Common! The whole universe opens up in front of you, and says.. HellooooooooOOOOoooooooooooOOOOOOOO!  ".&lt;br /&gt;...&lt;br /&gt;Shawn is my most guring guru of all times. &lt;br /&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;:) &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Plus, he can actually FIX stuff. ... Hmm. ...Why can't more men be like HIM?!&lt;br /&gt;...WHy can't more ..People ..be like him? &lt;br /&gt;..&lt;br /&gt;world would be a better place.. &lt;br /&gt;..a much stranger place, though.. :):):):)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:27927</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/27927.html"/>
    <link rel="self" type="text/xml" href="http://artsyanka.livejournal.com/data/atom/?itemid=27927"/>
    <title>"Crying tears" - the clothes that say so much</title>
    <published>2007-09-20T15:42:02Z</published>
    <updated>2007-09-20T15:55:03Z</updated>
    <content type="html">&lt;img alt="" src="http://s2.nterface.com/images/553530?mh=418&amp;amp;mw=538&amp;amp;q=80" /&gt; &lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://s2.nterface.com/images/553529?mh=418&amp;amp;mw=538&amp;amp;q=80" /&gt; &lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://s2.nterface.com/images/553531?mh=418&amp;amp;mw=538&amp;amp;q=80" /&gt;&amp;nbsp;&lt;br /&gt;&amp;nbsp;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:26202</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/26202.html"/>
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    <title>  Но цветы не знали,  И в четверг завяли.</title>
    <published>2007-09-12T16:54:52Z</published>
    <updated>2007-09-12T16:54:52Z</updated>
    <content type="html">Астры в школьном цветнике&lt;br /&gt;     Поливал Андрейка.&lt;br /&gt;     У него была в руке&lt;br /&gt;     Голубая лейка,&lt;br /&gt;     И текли из лейки&lt;br /&gt;     Водяные змейки.&lt;br /&gt;&lt;br /&gt;     Пусть напьется школьный сад&lt;br /&gt;     В жаркую погоду...&lt;br /&gt;     -- Стой!-- ребята говорят.--&lt;br /&gt;     Как ты носишь воду?&lt;br /&gt;&lt;br /&gt;     -- Не срамись! -- кричат они,&lt;br /&gt;     Сидя на скамейке.--&lt;br /&gt;     Не годится в наши дни&lt;br /&gt;     Поливать из лейки!&lt;br /&gt;&lt;br /&gt;     И уже решен вопрос:&lt;br /&gt;     Заказали мы насос,&lt;br /&gt;     Подали заявки&lt;br /&gt;     И сидим на лавке.&lt;br /&gt;&lt;br /&gt;     -- Что ж, пускай везут насос!--&lt;br /&gt;     Говорит Андрейка.&lt;br /&gt;     Лейку он в сарай отнес --&lt;br /&gt;     Устарела лейка.&lt;br /&gt;&lt;br /&gt;     Прибыл в пятницу насос,&lt;br /&gt;     Но цветы не знали,&lt;br /&gt;     Что о них решен вопрос,&lt;br /&gt;     И в четверг завяли.&lt;br /&gt;&lt;br /&gt;     ...~Агния Барто&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vot i moi vechnie somneniya po povodu terpeniya.Ne to chtob u menya ego sovsem ne bilo.&lt;br /&gt;..Ya mogu jdat' - xot' vsyu jizn.. No, jelatelno pri etom ponimat'...Kogo..chego, a glavnoe zachem jdesh. I pochemu...k Chemu vse: eto ojidanie ? i zachem ...- opravdanno li eto?..&lt;br /&gt;Potomu chto esli net - to ..ojidanie eto sovsem ne samoe zdorovoe sostoyanie dlya dushi.&lt;br /&gt;..skoree naoborot. ..jit' nujno segodnyashnim dne:m.. Polnost'yu otdavayas' momentu. .. ..a ojidanie.. Mojet konechno bit' i "sladostnim". Predvkushaya chto-to prekrasnoe.. No eto esli polnost'yu uveren v tom chto ono -osushestvitsya .. A esli net[?!] , - to ojidanie mojet bit' "muchitelnim", "vimativayushim dushu", i ..bog eshe: znaet kakim.&lt;br /&gt;...&lt;br /&gt;Nenaviju ojidanie. ..Zavyanu k chetvergu.&lt;br /&gt;.. ili daje k srede. ... &lt;br /&gt;..ili daje..&lt;br /&gt;uje?..&lt;br /&gt;&lt;br /&gt;...</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:25224</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/25224.html"/>
    <link rel="self" type="text/xml" href="http://artsyanka.livejournal.com/data/atom/?itemid=25224"/>
    <title>ziiiiiiiiiiiiiiiping ahead</title>
    <published>2007-09-05T15:44:56Z</published>
    <updated>2007-09-05T15:44:56Z</updated>
    <content type="html">Beware everyone! Anya is coming out to the streets of New york - with a car. Spasaites' kto mojet!&lt;br /&gt;she won't think twice before running over you. +she's missing out on a few li'lle handy concepts, ...such as differentiating between left and right, looking in the mirrors, and..well..the only reason she got a permit in the first place, was due to way-too-many dumb alcolhol questions. [and she's da expert on those! ]... ...So, if you see a zipcar in a close proximity of you, and me -behind the wheel - ....Run for your life!  now i've said it .&lt;br /&gt;&lt;br /&gt;:)</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:24397</id>
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    <title>Yo man</title>
    <published>2007-08-22T17:42:25Z</published>
    <updated>2007-08-22T17:42:25Z</updated>
    <content type="html">&lt;img width="282" height="422" border="2" align="absmiddle" alt="" src="http://s2.nterface.com/images/495237?mh=418&amp;amp;mw=538&amp;amp;q=80" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:artsyanka:24215</id>
    <link rel="alternate" type="text/html" href="http://artsyanka.livejournal.com/24215.html"/>
    <link rel="self" type="text/xml" href="http://artsyanka.livejournal.com/data/atom/?itemid=24215"/>
    <title>Mama, zaberi menya otsyuda..:)</title>
    <published>2007-08-22T15:37:52Z</published>
    <updated>2007-08-22T15:40:43Z</updated>
    <content type="html">u nas bolshie layoffi.. govoryat chto 250 chelovek..khhhh... Prixodyat bolshie dyadi i vivodyat lyudei vosvoyasi&amp;nbsp; "pod belie ruchenki". &lt;br /&gt;A menya?&amp;nbsp; A ya? ...A za mnoi, a po moyu dushu pochemu-to nikto ne prixodit.... :O( Ya siju v svoe:m kubike sirotlivo, kak rebe:nok kotorogo ne zabrali iz detskogo sada... A uje Vecher i temno. I vospitateli na tebya koso i nedovolno smotryat, ix toje tut sidet' zadolbalo.&lt;br /&gt;..Mama, Papa, vi menya zabili'?!... ili prosto zastryali v avtobuse..? ...Vot primerno tak. ...A pochemu ne menya? &lt;br /&gt;Ya toje xochu, mne toje b ochen' kstati 2 nedeli deneg za kajdiy god otsutsviya prisutstviya svobodi. I detei golodnix u menya po lavkam - ne sidit.&lt;br /&gt;U menya na stupenkax sidit Shon s papiroskoi vo rtu, i govorit chtob ya sfotografirovala nashe mesto, chtob sdavat' ego pod photo/video shoots. A u menya - vremeni net. xot ti tresni.&lt;br /&gt;&lt;br /&gt;vot ona - ...slaboharakternost'. ..:O( ili eto jadnost'?&amp;nbsp; nikak i nizachto ne otkazatsya samoi ot halyavi. .. ay-yay-yay... :O( ili eto nazivaetsya ne 'halyava' a "secure and stable income"..? ,..anyways, -Stidno mne. stidno.&lt;br /&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;Vprochem, mojet prosto nujno ranshe zayavlyatsya na rabotu. A to poka ya nespesha dobredayu do svoego stola, - mami uje ...v 9am sharp.. zabirayut XOROSHIX detei, - .. kotorie prisutstvuyut na svoe:m rabochem meste. &lt;br /&gt;&lt;br /&gt;oh well... .maybe next time..&lt;br /&gt;:)</content>
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